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Isao Tomita: 'In painting the artist is free to use whatever color or material he may choose. In other words the medium for his expression on the canvas is free and unlimited. There are plenty and abundant mediums, whereas in music we have had to use very limited means: the musical instruments. In painting one could use unlimited variety in color, but in music only certain numbers of timbres were available to express composers' ideas and feelings. My doubt was, should music be always like this?
To give you simple insight of huge potential of this niche markets I'll just give you few stats that will make you dizzy. A social networking site MySpace.com has over 50 million daily visits and over 176 million registered users. Online games playing site MiniClip.com has around 3 million daily visits and. The Durutti Column - ‘The Return of The Durutti Column’. Motorpsycho, The Durutti Column, Gastr Del Sol, Can, Sonic Youth, Brian Eno, Kanaan mv. Jimmy Smack, Time Masters, Michael Rother, The Delinquents, Conrad Schnitzler, The Screamers, Devo, Claus Haxholm mv.
Couldn't it get some new source of sound beyond existing musical instruments? That was my doubt and at the same time my dream.' After having spent the formative years of his childhood with his father in China during the 1930s, Tomita returned to the place of his birth, Tokyo, eventually studying Art History at Keio University during the early 1950s while also taking private lessons in Music Composition and Orchestral Theory in order to pursue his overriding passion for music. Having already paid his dues by regularly composing for local orchestras in order to fund his education, by the time Tomita graduated, he had amassed an impressive amount of experience and skill, which allowed him to quickly transition into a career scoring films, television and theatre, something he pursued for the next 15 years until hearing Walter Carlos' groundbreaking Classical work on the Moog synthesizer.
Tomita: 'In 1969 I happened to listen to a record titled Switched on Bach which opened a new world to me and triggered a revolution in my musical life. At the time I saw on the jacket of the record, behind Bach, a synthesizer, which is to say a palette of sound. For the first time I discovered that the synthesizer is not an instrument to compose music by using the sounds of existing instruments, but is a new instrument or a new machine which creates unlimited sound sources.' Walter Carlos tending to his Moog III Inspired by Carlos' groundbreaking work, Tomita purchased a Moog III synthesizer (identical to the one pictured on the Switched on Bach album cover) and built a recording studio in his home shortly after forming a music collective called Plasma Music with several other Electronic-minded musicians. After a false start in the form of a largely forgettable album of Moog renditions of contemporary rock songs, Tomita turned his attention to the work of French composer Claude Debussy, and, in contrast to Carlos' emphasis on note-for-note transcription as well as the recreation of traditional acoustic sounds using the new Electronic medium, Tomita's work, perhaps due to his extensive experience as a composer, focused on re-conceptualizing the source material using the infinite array of new musical possibilities inherent in the new Electronic medium.
The result was Snowflakes Are Dancing: Electronic Performances of Debussy's Tone Paintings, an album that proved to be both a revolutionary step forward in synth-based programming and a considerable commercial success. Tomita on the approach and response to the album: 'I never expected that so many albums would be sold, but to tell the truth I was expecting something different and I had, if I may say, some revolutionary intention or theory when making this music.
Walter Carlos' emphasis when realizing Debussy was on the level of mere description and depicting. My emphasis was more on the timbre or color of the music.
it was kind of an experiment for me. I experimented with my theory to create first the color of the sound which the conventional instruments never could bring out. The intention of my playing was that with a synthesizer I could break the limitations of such instruments and go into the unlimited world, and I started with the color of the sound, and the result was this piece. But we are going beyond even the color; we are going to the form of music composition and finding new aesthetic rules and creating a new world of music.' Isao Tomita relaxing in front of his Moog III The most obvious difference between the work of Tomita and that of earlier attempts to re-interpret Classical pieces within an Electronic context is Tomita's ability to create a polyphonic sound despite the fact that polyphonic synthesizers were not commercially available when he recorded his most innovative work.
He did this by painstakingly recording every part separately and meshing these parts together to lend his Electronic arrangements a symphonic depth missing on albums such as Switched on Bach. In addition, Tomita, especially on later albums such as Pictures at an Exhibition, Firebird, and his interpretations of Holst, avoids any conventional sense of reverence in his approach to the source material, as he treats them more as starting points for his exploration of new musical possibilities than monuments to be draped in synthetic raiment. Tomita: 'In this kind of situation, music and, for instance, painting are different. There is one painting, one masterpiece, say. If another painter adds color or a line to this original painting, it is destroyed.
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But it is quite different with music. In music there may be one original score, but there may be thousands of scores of the same composition, and there will be hundreds and thousands of other composers and arrangers who may rearrange the original music; who may add something to the original, who may extract something from it.
I don't think it's a problem which endangers or destroys the original score. If one plays a score, each player will interpret it differently and each conductor performs it differently, and you cannot limit or tell the conductor exactly how the original composer imagined it. The music score itself is loose.' For Tomita, music cannot be mathematically reduced to a finite set of relationships between notes and between tones.
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As such, every composition potentially points the way to what he calls the 'unlimited world,' which, as with the act of interpretation, is infinite. PLEASE READ: the purpose of this website is simply to promote great music.
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To give you simple insight of huge potential of this niche markets I'll just give you few stats that will make you dizzy. A social networking site MySpace.com has over 50 million daily visits and over 176 million registered users.
Online games playing site MiniClip.com has around 3 million daily visits and Pogo.com having around 200,000 players on their site in every moment. Now these are the numbers that should get everybody's attention but it gets even better when you know how much this could be worth to YOU if you can get involved in profiting from this niche markets. The market that combines online game playing and social networking is a market that's reaching 45% of web users and it's currently worth $164 a second. And in the next 156 weeks this market is expected to grow to $412 a second of every minute of every day, and growing. Evolution IS coming!!!
Maybe you ask yourselves what's e-play project got to do with this markets??? Well, project Eplay is a new online business opportunity that takes advantage not only from online game playing and social networking BUT also from social marketing. I hope that at least slowly YOU can imagine what potential this project e-play has.
The best part is that e-play will give you an online business to claim your slice of that $412 a second. You simply can't walk away from this opportunity especially since pre-registration is FREE and entire project will also run for FREE the first 2 months (this way everybody can test the system). Evolutioniscoming and it's bringing multiple streams of income for the first one to join in this great home based business opportunity. Their pay plan is at the moment kept secret but I did managed to get few insight info of what to expect from this EVO project. Bruce Goldmayer went an extra mile to get latest info on eplay project and their pay plan which he published at his site Don't wait any longer to find out everything. Evolution Is Coming!